Dre needs money to provide for his young daughter and her mother-and, later, to help his own mother), even as emotional adornment (as when Dr. Dre’s relations with his mother, who is memorably played by Lisa Renee Pitts*), as motive (Dr.
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The movie is resolutely centered on the practical aspects of making music-the business deals and personal relationships that it depends on and that depend on it the events that are translated into lyrics and the effect of performance on the life of its times the institutions (i.e., companies) that depend on the music and sustain music-and the musicians.įamily and friends serve the story as only background (as with Dr. Dre, even when they exceed those of Eazy-E, nonetheless take place in relation to him. As the anchor of the business, Eazy-E is also, remarkably, the movie’s main character, and the meteoric achievements of Ice Cube and Dr. It’s ultimately the business differences with Eazy-E, sparked by his relationship with Jerry, that break up the group. Dre asks his friend Eazy-E, a patron at the club, to put some of his earnings into a record label, but the drama is sparked when Eazy, having taken up the challenge and starting Ruthless Records, accepts the offer of Jerry Heller (Paul Giamatti), a minor music operator, to become N.W.A.’s manager. The galvanizing moment of the film-as scripted by Jonathan Herman and Andrea Berloff-is when Dr. Dre as they face the opposition of its musically conservative owner.
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arousing his hardworking mother’s ire by spurning respectable day jobs, moves out to pursue his dreams against all odds Ice Cube, a high-school student filling notebooks with lyrics, performs at a local club with Dr. Dre (Corey Hawkins), and O’Shea Jackson, a.k.a Ice Cube (O’Shea Jackson, Jr.), are altogether more familiar. The primordial efforts of Andre Young, a.k.a. It’s never made clear whether he’s bluffing, but in this brief scene he appears instantly as a mastermind with a keen sense of self-preservation. He shows up at a house that’s used by another dealer and, when he’s threatened-both bodily and financially-he boldly and shrewdly ups the ante. Eazy-E (played in the film by Jason Mitchell), is involved with at the start of the action, in 1986. The opening deal involves drugs, which is the business that Eric Wright, a.k.a. PHOTOGRAPH BY JAMIE TRUEBLOOD / UNIVERSAL PICTURES / EVERETT
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considers a journalistic report on Compton life-with, as its defining aspect, the relentless threat of police violence-the musicians render themselves both popular and indispensable, now as then.